{"title":"George Hendrik Breitner","description":"","products":[{"product_id":"george-hendrik-breitner-amsterdam-da-paleisstraat-uzerindeki-singel-koprusu","title":"George Hendrik Breitner - Singel Bridge over Paleisstraat in Amsterdam","description":"\u003ch1 data-start=\"297\" data-end=\"336\"\u003eGeorge Hendrik Breitner - \u003cem\u003eSingel Bridge over Paleisstraat in Amsterdam\u003c\/em\u003e\u003c\/h1\u003e\n\u003ch2 data-start=\"297\" data-end=\"336\"\u003e\u003cem\u003e\u003cstrong data-end=\"47\" data-start=\"0\"\u003e\u003c\/strong\u003eThe Singel Bridge at the Paleisstraat in Amsterdam (De Singelbrug bij de Paleisstraat te Amsterdam)\u003c\/em\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp data-start=\"245\" data-end=\"686\"\u003eGeorge Hendrik Breitner (1857–1923) was a prominent artist in Dutch painting, known as a painter of urban life who bridged the gap between realism and impressionism. Known as the \"Amsterdam painter,\" Breitner explored the rapidly modernizing atmosphere of the city at the end of the 19th century, depicting the working class, trams, rainy streets, and bustling bridges. In his work, Amsterdam is not simply a city; it is a living, breathing organism.\u003c\/p\u003e\n\u003cp data-start=\"688\" data-end=\"1245\"\u003eThe painting “ \u003cstrong data-start=\"689\" data-end=\"846\"\u003eThe Singel Bridge at the Paleisstraat in Amsterdam (De Singelbrug bij de Paleisstraat te Amsterdam)\u003c\/strong\u003e ” is the most well-known of Breitner’s urban-themed paintings.\u003cbr data-start=\"924\" data-end=\"927\"\u003eThe painting depicts a rainy day under a gray, cloud-covered sky. People with umbrellas walk across a bridge, a horse-drawn tram passes, and the silhouette of the Royal Palace in the background. Light refracts through the reflections of wet stones and water, giving the painting a vibrant atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"1247\" data-end=\"1544\"\u003eHere, Breitner depicts not just a landscape but \u003cstrong data-start=\"1291\" data-end=\"1326\"\u003ethe emotional rhythm of modern life\u003c\/strong\u003e . The city is awash in activity under the rain; people don't approach one another, but share the energy of the space. The painter's characteristic gray-blue and brown tones lend this scene both melancholy and elegance.\u003c\/p\u003e\n\u003chr data-start=\"1546\" data-end=\"1549\"\u003e\n\u003cp data-start=\"1551\" data-end=\"1566\"\u003e\u003cstrong data-start=\"1551\" data-end=\"1564\"\u003eDetail:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1569\" data-end=\"1621\"\u003e\u003cstrong data-start=\"1569\" data-end=\"1581\"\u003eArtist:\u003c\/strong\u003e George Hendrik Breitner (1857 – 1923)\u003c\/li\u003e\n\u003cli data-start=\"1624\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1637\"\u003eTitle of Work:\u003c\/strong\u003e \u003cem data-start=\"1638\" data-end=\"1793\"\u003eThe Singel Bridge at the Paleisstraat in Amsterdam (De Singelbrug bij de Paleisstraat te Amsterdam \/ Singel Bridge on the Paleisstraat in Amsterdam)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-start=\"1798\" data-end=\"1835\"\u003e\u003cstrong data-start=\"1798\" data-end=\"1814\"\u003eDate of Work:\u003c\/strong\u003e Circa 1896–1898\u003c\/li\u003e\n\u003cli data-start=\"1838\" data-end=\"1876\"\u003e\u003cstrong data-start=\"1838\" data-end=\"1849\"\u003eTechnique:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\u003cli data-start=\"1879\" data-end=\"1904\"\u003e\u003cstrong data-start=\"1879\" data-end=\"1891\"\u003eDimensions:\u003c\/strong\u003e 65 × 85 cm\u003c\/li\u003e\n\u003cli data-start=\"1907\" data-end=\"1944\"\u003e\u003cstrong data-start=\"1907\" data-end=\"1916\"\u003eSigned:\u003c\/strong\u003e “GH Breitner” at bottom right\u003c\/li\u003e\n\u003cli data-start=\"1947\" data-end=\"1990\"\u003e\u003cstrong data-start=\"1947\" data-end=\"1965\"\u003eLocation:\u003c\/strong\u003e Rijksmuseum, Amsterdam\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2183\" data-start=\"2158\"\u003e🏛️ \u003cstrong data-end=\"2181\" data-start=\"2162\"\u003eSource \u0026amp; License\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2447\" data-start=\"2185\"\u003eSource image: \u003cstrong data-end=\"2276\" data-start=\"2200\"\u003eRijksmuseum – Rijksstudio (high resolution) – Objectnummer: SK-SK-A-3587.\u003c\/strong\u003e\u003cbr data-end=\"2279\" data-start=\"2276\"\u003eIt is stated on the page of the relevant work that it is marked as \u003cstrong data-end=\"2377\" data-start=\"2350\"\u003ePublic Domain (CC0 1.0)\u003c\/strong\u003e within the scope of the \" \u003cstrong data-end=\"2337\" data-start=\"2305\"\u003eRijksmuseum Open Data Policy\u003c\/strong\u003e \".\u003cbr data-end=\"2419\" data-start=\"2416\"\u003e\u003cstrong data-end=\"2445\" data-start=\"2419\"\u003eRijksmuseum Collection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2660\" data-start=\"2449\"\u003e\u003cstrong data-end=\"2460\" data-start=\"2449\"\u003eLicense:\u003c\/strong\u003e Rijksmuseum Open Content – \u003cstrong data-end=\"2511\" data-start=\"2488\"\u003eCC0 \/ Public Domain\u003c\/strong\u003e\u003cbr 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Girl in the White Kimono\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/h1\u003e\n\n\u003ch2 data-start=\"306\" data-end=\"359\"\u003e\u003cem\u003eGirl in a White Kimono (Meisje in witte kimono)\u003c\/em\u003e\u003c\/h2\u003e\n\n\u003cp data-start=\"365\" data-end=\"741\"\u003e A pioneering figure in late 19th-century Dutch art \u003cstrong\u003e, George Hendrik Breitner (1857–1923)\u003c\/strong\u003e was one of the most prominent representatives of \u003cstrong\u003eAmsterdam School Realism\u003c\/strong\u003e , which focused on urban life, ordinary people, and the fleeting effects of light. By combining the light and color sensitivities of French Impressionism with a Realist perspective, Breitner pioneered a new direction in modern Dutch art.\u003c\/p\u003e\n\n\u003cp data-start=\"743\" data-end=\"1050\"\u003e\u003cem\u003e\u0026quot;Girl in a White Kimono (Meisje in witte kimono)\u0026quot;\u003c\/em\u003e is one of the artist\u0026#39;s most famous and admired works. The painting depicts a young woman seated in a serene moment, clad in a white silky Japanese kimono. As soft light glides across the lustrous surface of the kimono\u0026#39;s fabric, the figure\u0026#39;s expression conveys a melancholic serenity.\u003c\/p\u003e\n\n\u003cp data-start=\"1052\" data-end=\"1449\"\u003e Breitner created this work while living in Amsterdam in the 1890s, influenced by \u003cstrong\u003ethe Japonisme\u003c\/strong\u003e movement, a movement in which Japanese aesthetics gained significant traction in European art. His model was a young woman named \u003cstrong\u003eGeesje Kwak\u003c\/strong\u003e , who posed frequently. The artist depicted Geesje repeatedly in kimonos of varying colors, creating a series of works that combined Western Realism with Far Eastern sensibilities.\u003c\/p\u003e\n\n\u003cp data-start=\"1451\" data-end=\"1782\"\u003eThe work\u0026#39;s use of light is exquisitely subtle: the white kimono contrasts with the darker colors of the background, directing the viewer\u0026#39;s full attention to the figure. The color tones are neutral and soft—white, gray, and light brown—representing an elegant simplicity. This austere atmosphere further deepens the woman\u0026#39;s inner silence.\u003c\/p\u003e\n\n\u003cp data-start=\"1784\" data-end=\"1974\"\u003e\u003cem\u003e“Girl in a White Kimono (Meisje in witte kimono)”\u003c\/em\u003e is not only a portrait, but also a modern Realist masterpiece that reflects \u003cstrong\u003ethe cultural influences of its period, female elegance and individual inner world\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003chr data-start=\"1976\" data-end=\"1979\"\u003e\u003c\/hr\u003e\n\n\u003ch3 data-start=\"1981\" data-end=\"1994\"\u003e Detail:\u003c\/h3\u003e\n\n\u003cul\u003e\u003cli\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e George Hendrik Breitner (1857 – 1923)\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eTitle of the Work:\u003c\/strong\u003e Girl in a White Kimono (Meisje in witte kimono)\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDate of Work:\u003c\/strong\u003e Circa 1894\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eTechnique:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 59 × 66 cm\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e “GH Breitner” in the lower right corner\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLocation:\u003c\/strong\u003e Rijksmuseum, Amsterdam\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch3 data-start=\"2731\" data-end=\"2758\"\u003e 🏛️ \u003cstrong\u003eSource \u0026 License\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2760\" data-end=\"3022\"\u003e\u003cstrong\u003eSource image:\u003c\/strong\u003e\u003cem\u003eRijksmuseum – Rijksstudio (high resolution)\u003c\/em\u003e – \u003cem\u003eObjectnummer: SK-A-4070\u003c\/em\u003e .\u003cbr\u003e It is stated on the page of the relevant work that it is marked as \u003cem\u003ePublic Domain (CC0 1.0)\u003c\/em\u003e within the scope of \u003cstrong\u003ethe “Rijksmuseum 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