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The Flutist and the Bats

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Flute Player and Bats

“Flute Player and Bats” is one of the early graphic works that establishes a fairy-tale-like and slightly eerie world, removed from everyday reality, by bringing together a human figure making music with creatures of the night. While the flute-playing figure forms the center of the composition, the bats fluttering around disperse in different directions across the scene as if stirred into motion by the music.

The flutist’s body is constructed with extremely simple and elongated forms, without adhering to academic rules of anatomy. While the figure’s face is defined by a few basic lines, the hands and the flute are highlighted to clearly show the act of making music. This deliberate formal simplicity ensures that the scene is perceived more as a fairy-tale illustration than as a realistic portrait of a musician.

The other significant element of the composition is the bats. Small black figures with wings spread move in different directions around the image. The repetition of the bats not only establishes the nocturnal atmosphere but also transforms into rhythmic marks that visually represent the invisible melody created by the flute. Thus, music is felt through moving lines and figures rather than through sounds that cannot be directly depicted.

The way humans and animals meet so naturally in the same scene gives the work a character reminiscent of folk tales. Using the flute as a magical tool that influences or leads animals echoes narratives from the European folk and legend tradition, such as the Pied Piper of Hamelin. However, the composition uses these cultural associations freely rather than directly illustrating a specific story.

The flat color areas provided by the color lithography strengthen the graphic impact of the scene. Instead of natural light, volume, and perspective, contours, color contrast, and surface arrangement take precedence. The empty space around the figure and the bats is also an active part of the composition; it prevents the small postcard surface from appearing cluttered and makes the flight motion more prominent.

The naive, grotesque, and fantastic formal language seen in these early works is a sign of a deliberate break from the academic art approach in Vienna. Folk art, children's drawings, fairy tales, and decorative arts become important sources for the visual language. Rather than anatomical accuracy or traditional perspective, the transfer of an idea through the most direct lines and forms possible is preferred.

The work is among the artist postcards prepared for the Wiener Werkstätte during education at the Vienna School of Arts and Crafts. These small-format works allowed the experimental drawing approach to reach a wide audience while also representing the era's idea of removing the boundaries between art, design, and everyday objects.

Wiener Werkstätte postcards were not merely commercially printed products sent by mail. They were small art objects where original artist designs were reproduced, and where color and print quality were considered an integral part of the design. Thus, illustration and graphic design were placed within the same modernization process as traditional art disciplines like painting and sculpture.

“Flute Player and Bats” brings together music, the night, and the world of imagination on the surface of a small postcard by using a single flute-playing figure and the bats fluttering around it. While the relationship between the rhythmic movement of the bats and the horizontal line of the flute transforms the inaudible melody into a visual movement, the naive and fantastic language of the work strongly reflects the experimental graphic approach of the Wiener Werkstätte.

Details

  • Date of Work: 1907
  • Technique: Color lithograph on cardboard
  • Dimensions: Approximately 14 × 9 cm
  • Signature: To be verified according to the work's record
  • Location: Leopold Museum, Vienna

🏛️ Source & License

Source image: Leopold Museum, Vienna

Note: This product is an independent reproduction and does not include any sponsorship or partnership.

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Good to Know

Our fine art prints are shipped unframed. If you wish to add a frame, you can choose from our selection of complementary frames. If you purchase a frame, your print will be carefully mounted in your chosen frame before delivery.

The table below will help you choose the appropriate frame size for your print dimensions.

Art Prints and Production Quality

At Gige Gallery, all art prints are produced to museum standards in international Fine Art print workshops with over fifty years of experience.

Each artwork is printed at 2500 dpi resolution and with 11-color pigment ink technology, ensuring color accuracy and sharpness of detail are maintained for many years.

Fine Art printing is a method of reproducing works of art at the highest quality. Made with pigment inks and archival-grade paper, it is fade-resistant and collectible.

At Gige Gallery, all prints are available on two premium Hahnemühle paper options:

  • Hahnemühle Matte Fiber – 200 gsm

    It offers soft transitions and a classic Fine Art look with its natural white tone and lightly textured surface.

    Thanks to its light texture, it provides a balanced result in most written works and photographic works.
  • Hahnemühle Photo Rag – 308 gsm

    It is a premium Fine Art paper with 100% cotton content, heavy and in the archival category.

    It provides excellent tonal range, intense contrast and professional exhibition quality.

All editions:

  • Highly resistant to fading
  • Colour and detail accuracy guaranteed
  • Prepared with museum quality, long-lasting Fine Art production standards

Frames and Free Framing Service

We offer elegant, durable, and high-quality frames to complement your artwork.

Frames

Gige Gallery frames are made of durable MDF material , finished with a paper foil coating for an aesthetically pleasing finish.

All frames are supplied with a mat ; the pH-neutral mat used protects the colours of your artwork and does not yellow over time.

The front protection compartment is made of durable Polyester (plastic) material and protects your artwork against dust, moisture and impacts.

Each frame easily hangs on the wall using the included mounting bracket . You can use it without a bracket to create a depth effect, or position your frame in different ways, such as near the front or recessed on the inside edge.

The frame can be used both horizontally and vertically .

Support hooks on the rear ensure that the frame is mounted securely.

Material Properties:

  • Passepartout: Paper (pH neutral)
  • Frame / Internal structure: MDF, paper foil covering
  • Front protection: Polyester plastic
Free Framing Service

When you purchase a frame with a print, your artwork will be carefully prepared as part of our free framing service .

The artwork and mat are mounted to match the frame. The hanging bracket on the back allows for easy hanging horizontally or vertically.

Shipping, Delivery and Damage Policy

All our products are shipped within 3–5 business days after order confirmation.

Product safety and sustainability are our priorities during the shipping process.

All packaging and protective materials are selected from FSC-certified, recyclable, and eco-friendly materials.

Shipping Information for Framed Products

Framed products are shipped in double-walled FSC-certified sustainable boxes to ensure maximum protection during transit.

Each product:

  • Is carefully packaged in durable double-walled boxes, wrapped in bubble wrap.

  • This protects both the frame and the front surface against the risk of scratching, breaking, or impact during shipping.

  • All packaging and filling materials used are recyclable.

The entire packaging process takes both product safety and a sustainable production approach into account.

Shipping Information for Unframed Prints

Unframed prints are shipped inside FSC-certified sustainable protective tubes   The rigid body of the tube helps prevent the print from being crushed, bent, or damaged by external impacts during transit.

Each print:

  • Is carefully wrapped in acid-free 17 g silk-textured protective paper to prevent surface damage; then covered with kraft paper and finally securely packaged with bubble wrap.

  • The ink/pigment layer on the print surface is fixed with high-quality Fine Art printing technology; thus, the print surface does not scratch, smudge, or fade.

The entire process is appropriately designed to maintain the sustainable production approach while protecting the integrity of the product.

Delivery and Damage

  • Worldwide shipping is offered.

  • When your order is shipped, the tracking information is sent to you via email.

In Case of Damage:

If your product arrives damaged, please take a photo of the product as soon as you open the package and send an email to info@gigegallery.com.

Our teams will review the situation and get back to you as soon as possible.

Returns & Exchanges

  • Since prints and frames are prepared specifically for the order, we cannot accept returns due to personal preference / change of mind.

  • When the product reaches you, please check it upon delivery. If there is damage or a production-related issue, contact us within 14 days of delivery.

  • To expedite the process in case of damage:
    We kindly ask you to share photos of the package and the damaged area,
    and if possible, a photo of the shipping box.

  • After review, depending on the situation, we offer reprinting / exchange or, if deemed appropriate, return options.

Our Understanding of Sustainability and Production

As Gige Gallery, we adopt an environmentally friendly, sustainable approach throughout our entire production process.

  • All our packaging and filling materials are selected from recyclable materials.
  • The papers used are supplied from FSC certified forests.
  • Every stage of our packaging process respects the principle of respect for nature along with product safety.

Source and License

The artwork reproductions in Gige Gallery were obtained from various sources.

Some contents are in the public domain under open access (Open Content) policies and can be used freely, including for commercial use, with the CC0 / Public Domain license.

Some other works are shared through institutional collaborations and special license agreements, with the necessary permissions. These works are made available for licensed commercial use only.

On each product page, the source and license status of the relevant work are also stated.

The products on the site are independent reproductions and, unless otherwise stated, there is no sponsorship relationship with any institution or museum.

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Long-lasting

It is carefully printed with high-quality inks on durable paper that will maintain its first-day vibrancy for years to come.

Eco-friendly

Prepared with sustainable materials and environmentally friendly production processes, it aims to protect both our planet and product quality.

Ready to frame

All Gige Gallery prints are designed to be easily framed right out of the package.

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