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Factory in Berlin

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Factory in Berlin

Fabrik in Berlin / Factory in Berlin

"Factory in Berlin" is an Expressionist cityscape that addresses the industrial architecture of the modern city through powerful areas of color and increasingly abstract forms. Rather than creating a detailed depiction of the city, factory buildings, chimneys, and surrounding architectural masses are transformed into interlocking color surfaces.

The geometric character of the factory structures is prominent in the composition. Vertical chimneys, horizontal rooflines, and building blocks of varying heights segment the surface of the painting. This architectural order maintains the functional structure of the industrial environment while simultaneously creating a powerful geometric rhythm.

Traditional concepts of perspective and volume are notably pushed into the background. Instead of being rendered as three-dimensional masses through light and shadow, the buildings are treated as more planar color fields. The reduction of modeling and shadows detaches the architecture from its physical weight, highlighting the abstract structure of the composition.

Color is the primary expressive tool of the work. Rather than replicating the actual colors of the industrial structures, it is used to distinguish different surfaces and to establish the internal rhythm of the painting. The dense application of oil paint and visible brushstrokes create a strong contrast with the rigid geometry of the factories.

The chimneys are particularly noteworthy. As symbols of industrialization and the modern city, these vertical structures are not merely functional architectural components within the composition; they transform into graphic elements that define the overall arrangement of the painting. The contrast in scale they create with the shorter surrounding buildings makes the dominant presence of the factory within the city tangible.

The work is one of six paintings that emerged during a study trip to Berlin. During this period, urban life and industrial architecture became areas where a new pictorial language could be explored. A mundane and functional structure like a factory replaces the natural environment of traditional landscape painting, demonstrating that the modern city itself can be a valid subject for art.

A significant shift in pictorial narrative is visible during the Berlin period. While the intense and emotional use of paint from earlier works does not completely disappear, forms become increasingly simplified. Moving away from the detailed depiction of the object observed, greater importance is placed on the relationship between color, surface, and composition.

For this reason, "Factory in Berlin" is positioned on the border between figurative representation and abstraction. While the factory and chimneys remain clearly recognizable, the independent structure of the painting surface becomes increasingly significant. Architecture is no longer just the subject being represented, but the starting point for an exploration of color and form.

Choosing an industrial environment as a subject also links the work to the modern urban experience of the early 20th century. While factories, machines, and rapidly changing cities became symbols of modernization in the visual culture of the era, here, industry becomes a part of a formal investigation rather than a dramatic narrative.

"Factory in Berlin" reinterprets the appearance of industrial Berlin as a powerful color composition by transforming chimneys and factory blocks into stark geometric surfaces. The progressive flattening of objects and the transformation of color into an independent vehicle of expression make this work one of the notable examples in Austrian Expressionism that approaches abstraction.

Details

  • Title: Fabrik in Berlin / Factory in Berlin
  • Date: 1921
  • Medium: Oil on canvas
  • Dimensions: 37 × 27.8 cm
  • Location: Leopold Museum, Vienna

🏛️ Source & License

Source image: Leopold Museum, Vienna

Note: This product is an independent reproduction; it does not include any sponsorship or partnership.

Good to Know

Our fine art prints are shipped unframed. If you wish to add a frame, you can choose from our selection of complementary frames. If you purchase a frame, your print will be carefully mounted in your chosen frame before delivery.

The table below will help you choose the appropriate frame size for your print dimensions.

Art Prints and Production Quality

At Gige Gallery, all art prints are produced to museum standards in international Fine Art print workshops with over fifty years of experience.

Each artwork is printed at 2500 dpi resolution and with 11-color pigment ink technology, ensuring color accuracy and sharpness of detail are maintained for many years.

Fine Art printing is a method of reproducing works of art at the highest quality. Made with pigment inks and archival-grade paper, it is fade-resistant and collectible.

At Gige Gallery, all prints are available on two premium Hahnemühle paper options:

  • Hahnemühle Matte Fiber – 200 gsm

    It offers soft transitions and a classic Fine Art look with its natural white tone and lightly textured surface.

    Thanks to its light texture, it provides a balanced result in most written works and photographic works.
  • Hahnemühle Photo Rag – 308 gsm

    It is a premium Fine Art paper with 100% cotton content, heavy and in the archival category.

    It provides excellent tonal range, intense contrast and professional exhibition quality.

All editions:

  • Highly resistant to fading
  • Colour and detail accuracy guaranteed
  • Prepared with museum quality, long-lasting Fine Art production standards

Frames and Free Framing Service

We offer elegant, durable, and high-quality frames to complement your artwork.

Frames

Gige Gallery frames are made of durable MDF material , finished with a paper foil coating for an aesthetically pleasing finish.

All frames are supplied with a mat ; the pH-neutral mat used protects the colours of your artwork and does not yellow over time.

The front protection compartment is made of durable Polyester (plastic) material and protects your artwork against dust, moisture and impacts.

Each frame easily hangs on the wall using the included mounting bracket . You can use it without a bracket to create a depth effect, or position your frame in different ways, such as near the front or recessed on the inside edge.

The frame can be used both horizontally and vertically .

Support hooks on the rear ensure that the frame is mounted securely.

Material Properties:

  • Passepartout: Paper (pH neutral)
  • Frame / Internal structure: MDF, paper foil covering
  • Front protection: Polyester plastic
Free Framing Service

When you purchase a frame with a print, your artwork will be carefully prepared as part of our free framing service .

The artwork and mat are mounted to match the frame. The hanging bracket on the back allows for easy hanging horizontally or vertically.

Shipping, Delivery and Damage Policy

All our products are shipped within 3–5 business days after order confirmation.

Product safety and sustainability are our priorities throughout the shipping process.

All packaging and protective materials are selected from FSC-certified , recyclable , and environmentally friendly materials.

Shipping Information for Framed Products

Framed products are shipped in double-walled, FSC-certified sustainable boxes to provide maximum protection during transport.

Each product:

  • The products are carefully packaged in durable double-walled cardboard boxes with bubble wrap protection .
  • This protects both the frame and the front surface from scratches, breakage, or impacts during shipping.
  • All packaging and filling materials used are recyclable .

The entire packaging process takes into account both product safety and a sustainable production approach .

Shipping Information for Unframed Prints

Frameless prints are carefully wrapped in FSC-certified sustainable protective tubes for shipping. This method prevents the print from being deformed when removed from the tube.

Each edition:

  • To prevent surface damage, it is carefully wrapped in 17g acid-free silk-textured protective paper ; then covered with kraft paper and finally securely packaged with bubble wrap .
  • The ink/pigment layer on the printing surface is fixed using high-quality Fine Art printing technology; this ensures the print surface is scratch-resistant, smudge-proof, and fade-resistant.

The entire process is designed to align with sustainable production principles while maintaining product integrity.

Delivery and Damage Status
  • Worldwide shipping service is offered.
  • Once your order has shipped, you will receive tracking information via email.

Damage Status:

If your product arrived damaged, please take a photo of the product as soon as you open the package and email it to info@gigegallery.com .

Our teams will investigate the situation and get back to you as soon as possible.

Returns & Exchanges

  • Because prints and frames are made to order, we cannot accept returns due to personal preference or change of mind .
  • When the product arrives, please check the package upon delivery. If there is any damage or manufacturing defect , please contact us within 14 days of delivery.
  • To expedite the process in case of damage:
    Photographs of the package and the damaged area,
    If possible, we would appreciate it if you could share a photo of the shipping box.
  • After review, we will offer reprint/exchange or, if deemed appropriate, a refund , depending on the situation.

Our Understanding of Sustainability and Production

As Gige Gallery, we adopt an environmentally friendly, sustainable approach throughout our entire production process.

  • All our packaging and filling materials are selected from recyclable materials.
  • The papers used are supplied from FSC certified forests.
  • Every stage of our packaging process respects the principle of respect for nature along with product safety.

Source and License

The artwork reproductions in Gige Gallery were obtained from various sources.

Some contents are in the public domain under open access (Open Content) policies and can be used freely, including for commercial use, with the CC0 / Public Domain license.

Some other works are shared through institutional collaborations and special license agreements, with the necessary permissions. These works are made available for licensed commercial use only.

On each product page, the source and license status of the relevant work are also stated.

The products on the site are independent reproductions and, unless otherwise stated, there is no sponsorship relationship with any institution or museum.

Safe packaging

Your artworks are meticulously prepared in specially protected packages and arrive to you in perfect condition.

Long-lasting

It is carefully printed with high-quality inks on durable paper that will maintain its first-day vibrancy for years to come.

Eco-friendly

Prepared with sustainable materials and environmentally friendly production processes, it aims to protect both our planet and product quality.

Ready to frame

All of Gige Gallery's artwork is designed to be easily framed right out of the packaging.

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