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Egon Schiele - Death and the Human - The Self-Seers II
Egon Schiele - Death and the Human - The Self-Seers II
Egon Schiele - Death and the Human - The Self-Seers II
Egon Schiele - Death and the Human - The Self-Seers II
Egon Schiele - Death and the Human - The Self-Seers II
Egon Schiele - Death and the Human - The Self-Seers II

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Egon Schiele - Death and the Human - The Self-Seers II

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Egon Schiele - Death and Man (Self-Seers II)

Self-Seers II (Death and Man) / Selbstseher II (Tod und Mann)

“Self-Seers II (Death and Man)” is one of the most psychologically intense self-portraits in Austrian Expressionism, exploring the encounter with one’s own self through two superimposed figures. The pale second body emerging behind the dark-clothed figure in the foreground transcends being a mere shadow, transforming into an enigmatic image that can be read as another facet of the self, a twin, or the presence of death.

The figure in the foreground appears to have closed their eyes, having withdrawn their focus entirely from the outside world. The sharp lines, prominent cheekbones, and red-brown color transitions on the face emphasize internal tension rather than physical resemblance. Thus, instead of establishing direct eye contact with the viewer, the portrait depicts a moment of intense self-observation where the individual turns inward.

The pale twin rising just behind the figure constitutes the psychological center of the composition. This second face is not entirely detached from the body in the foreground; it appears to emerge from within it or cling to it. The Leopold Museum associates this ghostly figure with the fragmentation of the integrity of the self. Showing a single person as two separate beings transforms the portrait into a multilayered image about identity, the self, and death.

The open hand rising from the lower part of the painting creates an even more ambiguous element. It cannot be determined with certainty to which figure the hand belongs. The widely spread fingers are placed on the surface of the painting like a gesture independent of the body. The unusual emphasis on hands and fingers is a characteristic feature of the approach that turned body language into one of the primary tools of psychological expression in works of this period.

The color palette consists largely of tones of brown, black, pale gray, off-white, and red. Leaving the background ambiguous and almost abstract prevents the figures from being placed in a specific space. Thus, there are no environmental elements that could distract the viewer; the two faces, the body, and the hand take on the entire psychological weight.

The paint application is not smooth. The movement of the brush is clearly felt on the faces, clothing, and background. Especially the pale second figure creates a ghostly effect appearing on the surface rather than a physical body. The contrast between the more dense body in the foreground and the almost immaterial image behind it can be read as a pictorial representation of the relationship between life and death.

The fact that the work is known by two different names is also an important part of this multilayered structure. While the title “Self-Seers II” highlights the idea of a person looking at themselves and confronting their own self, “Death and Man” allows the same composition to be read as the encounter between man and death. Both titles are among those used for the work in its own time; therefore, it is not possible to reduce the second figure to a single meaning.

The double-figure motif is closely related to the idea of the splitting of identity and the individual observing themselves from the outside. In the Leopold Museum's interpretation, this work is considered a self-portrait in which the idea of a whole and unchanging “self” is questioned. For this reason, the pale presence in the background can be thought of as not only an allegory of death but also the alienated second self of the person in the foreground.

“Self-Seers II (Death and Man)” abandons the traditional self-portrait’s quest for physical resemblance and places the fragile relationship that an individual establishes with their own existence at the center of the painting. The closed eyes, the hand whose connection to the body is not finalized, and the ghostly twin appearing in the background remove the portrait from being a mere image of a single person and transform it into a powerful psychological composition on selfhood, death, alienation, and existence.

Details

  • Artist: Egon Schiele (1890–1918)
  • Title: Self-Seers II (Death and Man) / Selbstseher II (Tod und Mann)
  • Date: 1911
  • Medium: Oil on canvas
  • Dimensions: 80.5 × 80 cm
  • Signature: Signed and dated “S. 11.” at the lower left
  • Location: Leopold Museum, Vienna

🏛️ Source & License

Source image: Leopold Museum, Vienna

Note: This product is an independent reproduction; it does not involve any sponsorship or partnership.

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Good to Know

Our fine art prints are shipped unframed. If you wish to add a frame, you can choose from our selection of complementary frames. If you purchase a frame, your print will be carefully mounted in your chosen frame before delivery.

The table below will help you choose the appropriate frame size for your print dimensions.

Art Prints and Production Quality

At Gige Gallery, all art prints are produced to museum standards in international Fine Art print workshops with over fifty years of experience.

Each artwork is printed at 2500 dpi resolution and with 11-color pigment ink technology, ensuring color accuracy and sharpness of detail are maintained for many years.

Fine Art printing is a method of reproducing works of art at the highest quality. Made with pigment inks and archival-grade paper, it is fade-resistant and collectible.

At Gige Gallery, all prints are available on two premium Hahnemühle paper options:

  • Hahnemühle Matte Fiber – 200 gsm

    It offers soft transitions and a classic Fine Art look with its natural white tone and lightly textured surface.

    Thanks to its light texture, it provides a balanced result in most written works and photographic works.
  • Hahnemühle Photo Rag – 308 gsm

    It is a premium Fine Art paper with 100% cotton content, heavy and in the archival category.

    It provides excellent tonal range, intense contrast and professional exhibition quality.

All editions:

  • Highly resistant to fading
  • Colour and detail accuracy guaranteed
  • Prepared with museum quality, long-lasting Fine Art production standards

Frames and Free Framing Service

We offer elegant, durable, and high-quality frames to complement your artwork.

Frames

Gige Gallery frames are made of durable MDF material , finished with a paper foil coating for an aesthetically pleasing finish.

All frames are supplied with a mat ; the pH-neutral mat used protects the colours of your artwork and does not yellow over time.

The front protection compartment is made of durable Polyester (plastic) material and protects your artwork against dust, moisture and impacts.

Each frame easily hangs on the wall using the included mounting bracket . You can use it without a bracket to create a depth effect, or position your frame in different ways, such as near the front or recessed on the inside edge.

The frame can be used both horizontally and vertically .

Support hooks on the rear ensure that the frame is mounted securely.

Material Properties:

  • Passepartout: Paper (pH neutral)
  • Frame / Internal structure: MDF, paper foil covering
  • Front protection: Polyester plastic
Free Framing Service

When you purchase a frame with a print, your artwork will be carefully prepared as part of our free framing service .

The artwork and mat are mounted to match the frame. The hanging bracket on the back allows for easy hanging horizontally or vertically.

Shipping, Delivery and Damage Policy

All our products are shipped within 3–5 business days after order confirmation.

Product safety and sustainability are our priorities throughout the shipping process.

All packaging and protective materials are selected from FSC-certified , recyclable , and environmentally friendly materials.

Shipping Information for Framed Products

Framed products are shipped in double-walled, FSC-certified sustainable boxes to provide maximum protection during transport.

Each product:

  • The products are carefully packaged in durable double-walled cardboard boxes with bubble wrap protection .
  • This protects both the frame and the front surface from scratches, breakage, or impacts during shipping.
  • All packaging and filling materials used are recyclable .

The entire packaging process takes into account both product safety and a sustainable production approach .

Shipping Information for Unframed Prints

Frameless prints are carefully wrapped in FSC-certified sustainable protective tubes for shipping. This method prevents the print from being deformed when removed from the tube.

Each edition:

  • To prevent surface damage, it is carefully wrapped in 17g acid-free silk-textured protective paper ; then covered with kraft paper and finally securely packaged with bubble wrap .
  • The ink/pigment layer on the printing surface is fixed using high-quality Fine Art printing technology; this ensures the print surface is scratch-resistant, smudge-proof, and fade-resistant.

The entire process is designed to align with sustainable production principles while maintaining product integrity.

Delivery and Damage Status
  • Worldwide shipping service is offered.
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Damage Status:

If your product arrived damaged, please take a photo of the product as soon as you open the package and email it to info@gigegallery.com .

Our teams will investigate the situation and get back to you as soon as possible.

Returns & Exchanges

  • Because prints and frames are made to order, we cannot accept returns due to personal preference or change of mind .
  • When the product arrives, please check the package upon delivery. If there is any damage or manufacturing defect , please contact us within 14 days of delivery.
  • To expedite the process in case of damage:
    Photographs of the package and the damaged area,
    If possible, we would appreciate it if you could share a photo of the shipping box.
  • After review, we will offer reprint/exchange or, if deemed appropriate, a refund , depending on the situation.

Our Understanding of Sustainability and Production

As Gige Gallery, we adopt an environmentally friendly, sustainable approach throughout our entire production process.

  • All our packaging and filling materials are selected from recyclable materials.
  • The papers used are supplied from FSC certified forests.
  • Every stage of our packaging process respects the principle of respect for nature along with product safety.

Source and License

The artwork reproductions in Gige Gallery were obtained from various sources.

Some contents are in the public domain under open access (Open Content) policies and can be used freely, including for commercial use, with the CC0 / Public Domain license.

Some other works are shared through institutional collaborations and special license agreements, with the necessary permissions. These works are made available for licensed commercial use only.

On each product page, the source and license status of the relevant work are also stated.

The products on the site are independent reproductions and, unless otherwise stated, there is no sponsorship relationship with any institution or museum.

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Your artworks are meticulously prepared in specially protected packages and arrive to you in perfect condition.

Long-lasting

It is carefully printed with high-quality inks on durable paper that will maintain its first-day vibrancy for years to come.

Eco-friendly

Prepared with sustainable materials and environmentally friendly production processes, it aims to protect both our planet and product quality.

Ready to frame

All of Gige Gallery's artwork is designed to be easily framed right out of the packaging.

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Bring the entirety of art into your home with Gige Gallery's curated selection.

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Transform your bedroom into a stylish space with Gige Gallery's carefully selected collection.
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Think with Art, Produce with Art! Each print creates a subtle atmosphere that promotes concentration, transforming your workspace into an inspiring space.

Our standards


At Gige Gallery, every work is prepared with timeless design approach, high print quality and sustainable production principles.
Every material we use from paper to frame, ink to packaging is meticulously selected to reflect the value of the art.
Our goal is to offer not just wall decor, but a quality art experience that can be passed down from generation to generation.

Frequently Asked Questions

Orders and Prints

Are the works sold at Gige Gallery original paintings?

No. The artworks we offer at Gige Gallery are high-quality fine art prints of carefully selected art pieces. Our aim is to bring the aesthetics of museums and galleries into living spaces in an accessible way.
What is fine art printing?

Fine art print; is an art print produced with high-quality paper and printing techniques that strongly reflect the feeling of color, detail, and texture. Unlike a decorative poster, it is a more refined, long-lasting product that gives a sense of collection.
Are the prints sent framed?

The artworks you see in our store are offered as fine art prints. Prints are sent unframed as standard; however, if you wish to complete your artwork, you can add any frame you like from our selection of frames, which are offered separately.
What is the difference between Hahnemühle Matt Fibre and Hahnemühle Photo Rag print paper?

Both options are high-quality, matte-finish Hahnemühle papers, preferred for fine art printing. The main differences between them are grammage, cotton content, surface feel, paper texture, and the character they add to the print.

Hahnemühle Matt Fibre is a lighter and simpler-looking paper with a grammage of 200 gsm. It is not cotton-based; its cellulose-based structure offers a more modern, clean, and balanced appearance. Thanks to its matte surface, it does not reflect light; it displays colors naturally, clearly, and softly. It is an ideal option for those who want a more minimalist, contemporary, and plain look.

Hahnemühle Photo Rag, on the other hand, is a premium fine art paper with a grammage of 308 gsm and is 100% cotton-based. It has a more substantial, soft-textured, and artistic surface. Its cotton structure gives the print a deeper, more refined, and collectible character. It is recommended for those who want a more museum-quality, textured, and high-end printing experience.

In short; for a simpler, lighter, and more modern look, choose Matt Fibre 200 gsm, and for a more substantial, 100% cotton-based, textured, and premium feel, choose Photo Rag 308 gsm

Curation and Selection

How are the artworks at Gige Gallery selected?

Each artwork is selected based on its aesthetic power, its place in art history, the story it carries, and the character it will bring to living spaces. For us, it's not just about offering beautiful-looking pieces, but about bringing together artworks that can bear your mark and add meaning to your space.
What makes Gige Gallery different in Turkey?

Gige Gallery is one of the pioneering online gallery platforms in Turkey that combines this understanding of quality, integrity of selection, and curatorial approach. We aim to bring together works selected from classical art history and collaborations with local artists within the same aesthetic framework.
Will your selection expand in the future?

Yes. One of Gige Gallery's most important goals is to constantly expand its selection. We aim to be a living, growing online gallery platform with more artworks, different periods, different styles, and more collaborations with local artists. You can subscribe to our newsletter to be informed about our new collections, artist collaborations, and special selections.
Do you work with local artists?

Yes. Gige Gallery is not just a platform presenting masterpieces from the past; it is also an online gallery that aims to create space for local artists in Turkey. We want to make contemporary production more visible through new artist collaborations.

Orders, Delivery, and Returns

How long does it take for my order to be prepared?

Your orders are carefully prepared and delivered to the cargo within 3-5 business days after payment confirmation. Delivery time may vary depending on your address and the shipping company's operational process.
Do you ship all over Turkey?

Yes, shipping is available within Turkey. Your order will be securely packaged to protect the print and delivered to the cargo company.
What should I do if the product is damaged?

If you notice any damage to the product when you receive your shipment, you can contact us by taking photos of the package and the product. We will evaluate the process for you as quickly as possible.
Can I return or exchange this?

Since the prints are specially prepared to order, according to your chosen size and paper type, returns or exchanges cannot be made for reasons such as "I don't like it", "I want to choose a different work", or "I want to change the size".

Therefore, we recommend that you carefully check your artwork, size, paper, and frame selections before placing an order.

A return or exchange process can only be initiated if the product reaches you damaged. In such a case, you can contact us with photos of the product and packaging after delivery.