Skip to content
  • New

Ferdinand Georg Waldmüller - View of the Dachstein from Gosausee

Sale price 3,033.33TL

Shipping calculated at checkout

In stock

Ferdinand Georg Waldmüller - View of the Dachstein from Gosausee

Dachstein mit Gosausee / Dachstein with Gosausee

“View of the Dachstein from Gosausee” is a landscape painting that addresses one of the most impressive natural sights of the Austrian Alps, through the powerful relationship between the lake in the foreground and the rising Dachstein massif in the background. The detailed observation of nature combines with the monumental appearance of the mountain to create a composition that is both realistic and magnificent.

Dominating the background of the composition, the Dachstein massif forms the focal point of the landscape with its sharp peaks and snow-covered surfaces. The light tones of the mountain stand out distinctly from the darker forested areas surrounding it. This strong contrast ensures that the peak appears highly impressive despite its distance.

The Gosausee in the foreground creates a calmer, horizontal space against the monumental mass of the mountain. The surface of the water carries the colors of the surrounding mountains and sky, connecting the different parts of the composition. The difference in scale between the lake and the mountain makes the vastness and depth of the Alpine landscape felt more strongly.

The different layers of the landscape are separated by a very careful perspective arrangement. Moving from the vegetation and rocky areas in the foreground to the shore of the lake, and from there to the rising mountains, the composition gradually guides the viewer’s gaze into the distance. Thanks to atmospheric perspective, the distant peaks appear in cooler and lighter tones.

Light is one of the fundamental elements defining the different surfaces of nature. The snow-covered sections of the mountains, the rocky surfaces, the forests, and the water react differently under the same light. Thus, not only geographical forms but also the different textures of stone, snow, trees, and water become visible.

One of the remarkable features of the work is that nature is treated not as an idealized backdrop, but as a tangible environment based on direct observation. While the shapes of the rocks, the distribution of the trees, and the geological structure of the mountains are examined carefully, the aesthetic balance of the composition is also maintained.

This approach is closely related to the increasing importance of direct nature observation in 19th-century Austrian art. Instead of the constructed and idealized nature images seen in the academic landscape tradition, the desire to convey the light, atmosphere, and topography of a specific geography comes to the fore.

The Dachstein and the surrounding Salzkammergut region were an important nature area for the artists and travelers of the period. Surrounded by high mountains, clear Alpine lakes, and dense forests, the region became one of the symbolic landscapes of the nature and travel culture that developed in the 19th century.

Although the nature in the painting is magnificent, it does not carry a sense of dramatic catastrophe or threat. Instead, the clear air, the wide visibility, and the balanced composition give the landscape a serene and observation-based character. The fact that human life remains in the background makes the monumental scale of the mountains and the lake more pronounced.

“View of the Dachstein from Gosausee” reveals the characteristic approach of 19th-century Austrian landscape painting by combining the grandeur of the Alpine geography with detailed nature observation. The contrast between the horizontal serenity of the lake and the monumental structure of the rising mountains gives the composition both a strong sense of depth and a balanced feeling of nature.

Details

  • Artist: Ferdinand Georg Waldmüller (1793–1865)
  • Title: Dachstein mit Gosausee / Dachstein with Gosausee (View of the Dachstein from Gosausee)
  • Date: 1834
  • Medium: Oil on wood
  • Dimensions: 31 × 26 cm
  • Signature: To be verified according to the work's record
  • Location: Leopold Museum, Vienna

🏛️ Source & License

Source image: Leopold Museum, Vienna

Note: This product is an independent reproduction; it does not involve any sponsorship or partnership.

Good to Know

Our fine art prints are shipped unframed. If you wish to add a frame, you can choose from our selection of complementary frames. If you purchase a frame, your print will be carefully mounted in your chosen frame before delivery.

The table below will help you choose the appropriate frame size for your print dimensions.

Art Prints and Production Quality

At Gige Gallery, all art prints are produced to museum standards in international Fine Art print workshops with over fifty years of experience.

Each artwork is printed at 2500 dpi resolution and with 11-color pigment ink technology, ensuring color accuracy and sharpness of detail are maintained for many years.

Fine Art printing is a method of reproducing works of art at the highest quality. Made with pigment inks and archival-grade paper, it is fade-resistant and collectible.

At Gige Gallery, all prints are available on two premium Hahnemühle paper options:

  • Hahnemühle Matte Fiber – 200 gsm

    It offers soft transitions and a classic Fine Art look with its natural white tone and lightly textured surface.

    Thanks to its light texture, it provides a balanced result in most written works and photographic works.
  • Hahnemühle Photo Rag – 308 gsm

    It is a premium Fine Art paper with 100% cotton content, heavy and in the archival category.

    It provides excellent tonal range, intense contrast and professional exhibition quality.

All editions:

  • Highly resistant to fading
  • Colour and detail accuracy guaranteed
  • Prepared with museum quality, long-lasting Fine Art production standards

Frames and Free Framing Service

We offer elegant, durable, and high-quality frames to complement your artwork.

Frames

Gige Gallery frames are made of durable MDF material , finished with a paper foil coating for an aesthetically pleasing finish.

All frames are supplied with a mat ; the pH-neutral mat used protects the colours of your artwork and does not yellow over time.

The front protection compartment is made of durable Polyester (plastic) material and protects your artwork against dust, moisture and impacts.

Each frame easily hangs on the wall using the included mounting bracket . You can use it without a bracket to create a depth effect, or position your frame in different ways, such as near the front or recessed on the inside edge.

The frame can be used both horizontally and vertically .

Support hooks on the rear ensure that the frame is mounted securely.

Material Properties:

  • Passepartout: Paper (pH neutral)
  • Frame / Internal structure: MDF, paper foil covering
  • Front protection: Polyester plastic
Free Framing Service

When you purchase a frame with a print, your artwork will be carefully prepared as part of our free framing service .

The artwork and mat are mounted to match the frame. The hanging bracket on the back allows for easy hanging horizontally or vertically.

Shipping, Delivery and Damage Policy

All our products are shipped within 3–5 business days after order confirmation.

Product safety and sustainability are our priorities throughout the shipping process.

All packaging and protective materials are selected from FSC-certified , recyclable , and environmentally friendly materials.

Shipping Information for Framed Products

Framed products are shipped in double-walled, FSC-certified sustainable boxes to provide maximum protection during transport.

Each product:

  • The products are carefully packaged in durable double-walled cardboard boxes with bubble wrap protection .
  • This protects both the frame and the front surface from scratches, breakage, or impacts during shipping.
  • All packaging and filling materials used are recyclable .

The entire packaging process takes into account both product safety and a sustainable production approach .

Shipping Information for Unframed Prints

Frameless prints are carefully wrapped in FSC-certified sustainable protective tubes for shipping. This method prevents the print from being deformed when removed from the tube.

Each edition:

  • To prevent surface damage, it is carefully wrapped in 17g acid-free silk-textured protective paper ; then covered with kraft paper and finally securely packaged with bubble wrap .
  • The ink/pigment layer on the printing surface is fixed using high-quality Fine Art printing technology; this ensures the print surface is scratch-resistant, smudge-proof, and fade-resistant.

The entire process is designed to align with sustainable production principles while maintaining product integrity.

Delivery and Damage Status
  • Worldwide shipping service is offered.
  • Once your order has shipped, you will receive tracking information via email.

Damage Status:

If your product arrived damaged, please take a photo of the product as soon as you open the package and email it to info@gigegallery.com .

Our teams will investigate the situation and get back to you as soon as possible.

Returns & Exchanges

  • Because prints and frames are made to order, we cannot accept returns due to personal preference or change of mind .
  • When the product arrives, please check the package upon delivery. If there is any damage or manufacturing defect , please contact us within 14 days of delivery.
  • To expedite the process in case of damage:
    Photographs of the package and the damaged area,
    If possible, we would appreciate it if you could share a photo of the shipping box.
  • After review, we will offer reprint/exchange or, if deemed appropriate, a refund , depending on the situation.

Our Understanding of Sustainability and Production

As Gige Gallery, we adopt an environmentally friendly, sustainable approach throughout our entire production process.

  • All our packaging and filling materials are selected from recyclable materials.
  • The papers used are supplied from FSC certified forests.
  • Every stage of our packaging process respects the principle of respect for nature along with product safety.

Source and License

The artwork reproductions in Gige Gallery were obtained from various sources.

Some contents are in the public domain under open access (Open Content) policies and can be used freely, including for commercial use, with the CC0 / Public Domain license.

Some other works are shared through institutional collaborations and special license agreements, with the necessary permissions. These works are made available for licensed commercial use only.

On each product page, the source and license status of the relevant work are also stated.

The products on the site are independent reproductions and, unless otherwise stated, there is no sponsorship relationship with any institution or museum.

Safe packaging

Your artworks are meticulously prepared in specially protected packages and arrive to you in perfect condition.

Long-lasting

It is carefully printed with high-quality inks on durable paper that will maintain its first-day vibrancy for years to come.

Eco-friendly

Prepared with sustainable materials and environmentally friendly production processes, it aims to protect both our planet and product quality.

Ready to frame

All of Gige Gallery's artwork is designed to be easily framed right out of the packaging.

Back to top